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There a moment near the halfway mark of the child-soldier dramaBeasts of No Nation where our young hero, an African preteen-turned-rebel-army-killing-machine named Agu, is being prepped for battle. An older boy pulls out a knife and cuts the youngster forehead; he then rubs a powdery substance into the gash. As the group leader, a charismatic destroyer of souls known simply as Commandant played by The Wire 8216 Idris Elba , lead stanley cup s them toward their destination, the visuals begin to change: plants take on a rusty blood-red hue, the earth they walk on looks sickly and tainted, the sky is a corpse-like metallic gray. Agu eyes seem confuse stanley thermos d at first, then seem to go completely dead as the film speeds up and stutters, and the carnage begins. He has crossed over to some unspeakable place that will allow him to do unspeakable things. And though we ;ve already seen people commit acts that no sane, empathetic human being would rightfully do, this is the threshold point where we go from witnessing his nightmare to stepping right inside of it.Mention this scene to Cary Fukunaga, the writer, director and cinematographer behind this harrowing sequence, and stanley spain he ;ll nod solemnly, staring down at a restaurant table he sitting at, right outside of the Toronto International Film Festival 8216 headquarters. When I was making Sin Nombre [his 2009 debut], I wouldn ;t allow myself to do a sequence like that at all, he says. |
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